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“Abe Lincoln’s Piano” does not evoke in us the same sense of astonishment that Hershey Felder feels toward his antiquarian discoveries.
Taken as a whole, “The Poets’ Wives” is a fascinating, brave novel whose love of poetry breathes through all three sections.
The big “destination” jazz festivals are major events, but aficionados making vacation plans will be missing out if they don’t at least take a look at the musical offerings of the smaller festivals.
The tunes on Joey Pizza Slice’s new LP are personal enough to leave many listeners scratching their heads, asking “Is this guy for real?”
The Lyric Stage Company’s thoroughly enjoyable production more than does “Into the Woods,” Stephen Sondheim’s un-Disneyfied version of fairy tales, justice.
Tadeusz Różewicz’s best poems are blunt hammer strokes that pound at the impossibility of crafting poetry true to the sins of history.
Howard Hersh hails from northern California, and, as in John Adams’ “City Noir,” the music on Hersh’s album, “Angels and Watermarks,” embraces polyglot West Coast culture in various ways.
Robert Olen Butler chose his protagonist wisely. Christopher Marlowe Cobb is a man of both intellect and physicality, of thought and action.
For once, in Ronald Reagan’s America, youthful talent and energy seemed able to trump everything else.
Boston’s MFA should be congratulated for screening these Technicolor musicals in way that does wondrous justice to their eye-popping colors.
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