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Chester Theatre Company productions often remind me of concerts in a chamber music series that feature musicians who have worked together for long periods of time.
Film critic Roger Ebert was a complicated man and this documentary does a superb job of exploring his different sides, detailing the evolution of his personality over the decades.
A Coffee in Berlin is described accurately in its publicity as “a slacker comedy.”
Since then, they have remained as indefatigable as ever in terms of writing, recording, and touring.
Neil Simon’s Last of the Red Hot Lovers wears surprising well after nearly half a century, with the help of minimal, subtle updating of topical references.
This year’s Boston French Film Festival (July 10 through 27) proffers a just-about 50-50 mix of male and female directors.
Playwright Amir Al-Azraki is in the camp that believes that the Iraqis themselves bear much of the responsibility for the chaos in their country.
Classical CD Review: San Francisco Symphony’s “West Side Story” — A Brashly Invigorating Performance
The music of West Side Story sounds grippingly urgent and colorful as ever in the hands of one of America’s best orchestras and conductors.
Cuarteto Casals brings out Mozart’s playfulness, Luzerner Sinfonieorchester delivers a solid Dvorak’s Sixth, and James Brawn continues to brilliantly play Beethoven’s piano sonatas.
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