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Minimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.
The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
Gradually, Clark Terry developed on the trumpet the rounded, full tone that became so distinctive.
Julia Fischer’s account of Brahms’s Violin Concerto with the Boston Symphony Orchestra (BSO) this weekend was nothing if not dynamic and impressive.
Arts Fuse critics select the best in film, theater, music, dance, and author events for the coming week.
To call the American Visionary Art Museum quirky would be an understatement: therein lies its charm as well as one of the reason for its success, even in economic hard times.
Harvard Divinity School professor Kevin Madigan’s scholarly but always compelling exposition of the evolution of the church will spark introspection among practicing Christians.
Music Commentary Series: Jazz and the Piano Concerto — Who Will Program?
My data might be depressing for anyone who wants a lot of novelty in the concert hall. But I found that some orchestras are taking more risks than the pessimists say.
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