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In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
Given that these two virtuoso pianists were in a jubilant, hometown mood, this was a concert that could hardly fail to please.
The strong connections between Andy Warhol’s early drawings and his later Pop-pieces become clear as you walk through the exhibition.
Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.
No Pier Pressure is Brian Wilson’s 11th solo album and it shows little diminution of his still-prodigious talents.
Woman in Gold has novelty going for it — it is a film that depicts a woman’s passionate relationship to a piece of art.
Featuring seven short dances by stellar choreographers of contemporary dance, the Harvard Dance Center’s spring program promised some rare enlightenment.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
The beauty of David Cromer’s production of Come Back, Little Sheba that by focusing on the play’s intense psychological undercurrents he minimizes its cultural mustiness.
Film Commentary: “Cuckoo’s Nest” in the Age of Trump — Viewer Beware!