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Book Review: “The Hilltop: A Novel” — Serious Israeli Comedy

January 3, 2015
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Assaf Gavron’s sweeping, smart, often funny new novel spins a satiric update on Exodus.

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Arts Commentary: The View from Free — 2014 Edition

January 2, 2015
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The exploitation of the free labor of artists may finally have hit a critical mass in 2014, generating enough publicity to make observers righteously angry.

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Book Review: The Remarkable Life of Storm Jameson — Attention Tenderly Paid

January 2, 2015
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After reading this scholarly and accessible biography, I am convinced that Storm Jameson’s life is a must for anyone fascinated by the history of women writers in the 20th century.

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Fuse Feature: Quotes for the New Year

January 1, 2015
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“Unlike the talent for war, the ability to make peace has always been rare.”

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Book Commentary: Dreiser’s “The Titan” Turns 100 — America’s “Downton Abbey”

December 31, 2014
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Theodore Dreiser’s The Titan is not the greatest novel about American business, but it is still among the best, an honorable runner-up that turned 100 this year.

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Arts Remembrance: Bishop Lee Mitchell — An Appreciation

December 31, 2014
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A beloved figure to both the local gospel community and deep southern soul collectors, Bishop Lee Mitchell has passed following a long illness.

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Rock Review: Marshall Crenshaw and Melissa Ferrick — A Welcome Holiday Tradition

December 30, 2014
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If your tastes run to finely crafted songwriting, then the standout event between Christmas and New Year’s is when Melissa Ferrick and Marshall Crenshaw roll into Club Passim on separate nights.

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Film Review: Chris Rock’s “Top Five” — Only Funny on the Fringes

December 29, 2014
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Perhaps Top Five is Chris Rock’s penance for doing lucrative-paying voices for the insanely popular Madagascar animation franchise.

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Book Review: “Nagasaki”‘s Diptych of Aloneness

December 29, 2014
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The success of this short novel set in Japan lies in the empathy it creates for a pair of ordinary and lonely characters.

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Film Review: “The Gambler” Pays Off Handsomely

December 29, 2014
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In The Gambler, Mark Whalberg gives a performance he should be proud of.

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