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Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
The implausibility of The Revenant is jaw-dropping.
Despite being entrapped in a controlling social order, the sisters behave as most adolescents do: sometimes impulsively.
Here’s one more wrap-up of the year in film.
The magazine’s Roots and World Music critic looks back at a year of live performances: here are the winners and a few losers.
Charlie Kaufman crafts worlds where people find love in unlikely places, and lose love so easily you’d think they actually want to be miserable.
Classical Music Commentary: “Boulez est mort”
And yet, for all the violence of his youthful polemics and his unflinchingly-held beliefs, Pierre Boulez was neither demagogue nor ideologue.
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