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New podcast host Elizabeth Howard talks to Neal Goren about contemporary opera: the trends, attracting new audiences, and how opera can be adapted for the internet.
It is the loss of memories and the meaning of memory that dominate, generating speculations that draw the reader into and through Maria Stepanova’s argument and interpretations.
The truth is, Q: Into the Storm is shockingly dull.
RIP Morris Dickstein, among the last of the generation of the New York School of Jewish intellectuals, scholar/critics of massive knowledge and intellect who came from humble backgrounds.
“Arts journalism should meet the same high standard as other forms of writing but rarely does, even in the good old days.”
In this beautifully written, shrewdly researched, and artfully argued book, Matthew Rafalow contends that how teachers understand and regulate their students digital know-how has profound consequences.
Here’s to the late Harold Bloom. Do yourself a favor. Get up early (or whenever) and read something that matters.
At a time most venues are doing without live music, the Creative Music Series is bucking the trend with free public concerts in outdoor locations throughout the Boston area.
The experience of watching Ammonite may prove slightly unsettling for some viewers because there is so little cinematic artifice at work.
Music Commentary: The Seven Ages of Jazz-Kind
With apologies to the Swan of Avon.
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