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This new adaptation is sure to spark criticism from Döblin and Fassbinder loyalists, as well as those who might feel the film is not politically progressive enough. Nonetheless, it strikes the right chords: balancing between textual fidelity and contemporary relevance.
If this is your first Bluebeard’s Castle, Susanna Mälkki’s recording makes for a fine, occasionally inspired, introduction.
Director Ben Wheatley has a knack for creating characters whose anti-social behavior is shocking.
The documentary slate at this year’s Independent Film Festival Boston’s all-virtual spring festival puts non-fiction film front and center.
About Endlessness’s deadpan combination of sadness and rage feels complete, as if the master dropped the mic before leaving the building after the final edit.
Host Elizabeth Howard talks to Fred Turner and Mary Beth Meehan about their book Seeing Silicon Valley: Life Inside a Fraying America, a photographic study of income disparity.
This is an important book, a powerful account of the decline of California as America’s paradise.
“The suburbs of Los Angeles are so often neglected in literature and film because they are so seemingly impervious to adoration.”
Penny, whose many moods are sensitively drawn in this softly colored volume, is, perhaps like all cats, a philosopher.
Film Commentary: “Minari” — An Immigrant Tale with a Southern Accent
Minari is about the triumph of folkways, both Ozark and Korean.
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