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As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Stephen Sondheim’s songs told stories about people just trying to be, sung by characters struggling to make sense of a confusing world, yearning to take the next step. But his intricately structured melodies soared and tiptoed and sauntered and sometimes wisely took the long way home.
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Forget romance. Forget chemistry. Forget star-crossed lovers. At its heart, this Eurydice is concerned with the love between a father and a daughter.
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Paul Muldoon is anxious to file dispatches from the front lines of Our Lives Now. That is one of the characteristics that separates him from most other poets writing today.
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There were so many women artists here whose work surprises and delights. And the Wadsworth Atheneum’s decision to showcase them makes an important contribution to our evolving understanding of art and its history.
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As serious a musician as he is, and as virtuosic as he can be, the naturally extroverted Christian McBride knows how to entertain, a talent generously evident in this live performance.
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From the pounded opening bars of “Prove It All Night,” it’s revelatory to see a young, lithe Bruce Springsteen as he prowls his domain, cocks his guitar, and belts his impassioned vignettes of blue-collar struggles and dreams.
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This is an invaluable gathering of interviews, an impressive excavation of institutional memory that not only recognizes the MFA’s grandeur but its many deficiencies as well.
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These are people behaving badly, even while they struggle to retain their dignity.
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Director Jane Campion’s sharp adaptation of Thomas Savage’s novel focuses on the damage done to those who surrender to the alluring but pernicious “sword” of social conformity.
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Arts Feature: Best Movies (With Some Disappointments) of 2025