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Classical Album Reviews: Mendelssohn Violin Sonatas and Piano Concertos

April 10, 2022
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Some substantial works by composer Felix Mendelssohn remain overlooked.

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Music Interview: Cowboy Junkies’ Michael Timmins on “Songs of the Recollection”

April 10, 2022
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“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”

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Classical CD Review: Cellist Nicolas Altstaedt plays Salonen and Ravel

April 9, 2022
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Cellist Nicolas Altstaed’s recording features a fascinating pairing of pieces by Salonen and Ravel, a stirring reminder of the mysterious powers of common origins and creative invention. Don’t miss it.

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Television Review: Ken Burns’s “Benjamin Franklin” — Gauzy Soft-Core Patriotism

April 8, 2022
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Corporate anti-racism – Bank of America is a major sponsor for the documentary – causes Ken Burns to pull his punches.

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Concert Review: Pianist Jeremy Denk’s “Well-Tempered Clavier” — An Embarrassment of Riches

April 6, 2022
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I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.

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Visual Arts Commentary: Two Books and a Play — Creating Architectural Literacy

April 6, 2022
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Given the current state of play, any attempts to enrich our knowledge of the built environment are valuable.

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Theater Review: “AntigonX” — Sophocles Newly Envisioned, Splendidly

April 6, 2022
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AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.

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Theater Interview: The Need to Make Theater in Ukraine Today

April 5, 2022
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We live on the stage of my theater now.

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Rock Album Review: Elvis Costello’s “The Boy Named If” — Sly and Mischievous As Ever

April 5, 2022
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For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.

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Visual Arts Review: “Displaced: Raida Adon’s Strangeness” — The Remains of Home

April 4, 2022
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Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.

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