Trevor Fairbrother
This midsized MFA project is a solid bid for summer foot traffic from the fashionista demographic.
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The artist is currently facing the existential throes of art-world fame and fortune.
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Frank Zappa’s tight editing ensured that “Plastic People” was a compelling aural creation, and his fierce confidence compelled listeners to pay attention to the words.
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Boston’s MFA owns the ethical and cultural dilemma regarding the location of Cyrus Dallin’s monumental statue “Appeal to the Great Spirit,” acquired as a gift in 1913.
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Boston’s veneration of John Singer Sargent is awkwardly implicated in the city’s habit of denouncing modern art.
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Visual Arts Commentary: “Razzle Dazzle” in Red — Jonathan Yeo Hails (?) the King
The fact that King Charles went along with Jonathan Yeo’s amped-up riff on academic portraiture intrigues, especially in light of his peevish opposition to modernist architecture.
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