Steve Elman

Jazz Commentary Drill Down: Duke Ellington’s “New World A-Coming”

February 3, 2012
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Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a detailed examination of…

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Commentary Drill Down: George Russell’s “Living Time”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Jazz Commentary Drill Down: Dave Brubeck’s “Elementals”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Fuse Commentary Drill Down: Donal Fox’s “Peace Out”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Fuse Commentary Drill Down: Iiro Rantala’s “Concerto in G-sharp / A-flat”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Jazz Commentary Drill Down: Michel Camilo’s “Concerto for Piano and Orchestra”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Commentary Drill Down: Claus Ogerman’s “Symbiosis”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Jazz Preview / Commentary: Jason Moran’s Monk Project

January 19, 2012
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So Jason Moran has decided to re-create something that is already a pinnacle of a master’s work –- something that could hardly be improved on. You could be expected to ask Why? and How?

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Music Review/Commentary: Awake Between Two Dreams — Steve Lacy’s “Vespers,” Live and Recorded

December 13, 2011
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What the few of us in Jordan Hall heard that night was a richly conceived and beautifully performed song cycle, mostly serious, but with some great wit in exactly the right places. It made for a fascinating and enlightening contrast to the CD version of “Vespers,” which Steve Lacy recorded in 1993.

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Music Review/Commentary: Gunther Schuller’s Gift of Giving – Boston Conservatory’s New Music Festival III

December 5, 2011
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Boston Conservatory’s New Music Festival is inspiring a series of commentaries from Fuse Jazz Critic Steve Elman. Here is his third installment, which focuses on Gunther Schuller, who has inspired at least four generations of artists and revitalized a venerable institution of higher musical learning.

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