To hear this performance properly. you must do a bit more work than you might do ordinarily . . . but great art deserves such work.
Two pianoless quartets + two restless leaders = some of the best music of the last few years.
The life of a working musician is not a second-class life, and Mimi Rabson’s is Exhibit A: “I try to get past the limits of the definitions and get to the joy.”
Carla Bley’s last three CDs are not a casual sequence, and hearing all of them together, as I did recently, provides a refreshing reminder of her greatness.
Nothing detracts from the essentials here – three fine players in creative conversation.
This is what I feel can add: the perspective of a native-born son of the Rochester metro; and a view from the bridge through jazz-colored glasses.
Cécile McLorin Salvant understands that she is heroic.
Saxophonist Stan Getz knew whom to listen to and whom to borrow from, and the repertoire for the 1961 Village Gate gig was particularly satisfying.
A landmark concert from 1992 is a chance to rediscover Betty Carter’s greatness, to appreciate again how this artist was special to the very essence of her soul.
Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?