Steve Elman
Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…
So Jason Moran has decided to re-create something that is already a pinnacle of a master’s work –- something that could hardly be improved on. You could be expected to ask Why? and How?
What the few of us in Jordan Hall heard that night was a richly conceived and beautifully performed song cycle, mostly serious, but with some great wit in exactly the right places. It made for a fascinating and enlightening contrast to the CD version of “Vespers,” which Steve Lacy recorded in 1993.
Boston Conservatory’s New Music Festival is inspiring a series of commentaries from Fuse Jazz Critic Steve Elman. Here is his third installment, which focuses on Gunther Schuller, who has inspired at least four generations of artists and revitalized a venerable institution of higher musical learning.
Boston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the second, which focuses on The Fringe and some of the qualities that make the trio special in the world of jazz.
Boston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the first.
The Steve Kuhn – Sheila Jordan partnership has been one of the luckiest things ever to happen to either of them, or for us as listeners.
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our sixth session, this time a discussion about the concert “Divine Sparks,” a provocative attempt to explore how Jewish cantorial music and other kinds of religious song can spark musical improvisation and…
In the best of all possible worlds, Duncan Heining’s biography will be the cornerstone of the edifice that time will erect to the memory of George Russell and his gift to music. Whether that will happen or not remains to be seen. In some ways, because of the vagaries of the book business, it’s up…
Arts Commentary: The Orchestra Gap — Europe vs. the US