Jonathan Blumhofer
In a world populated by talented pianists, James Brawn is a standout. He’s not just a virtuoso, but also a probing, thoughtful musician with strong, creative programming instincts.
Conductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
Praise is due Peggy Pearson and Winsor Music for providing a forum for the talented young composer Lev Mamuya.
The Discovery Ensemble’s precision was also on full display in the vigorous contrapuntal writing that came across with impressive, electrifying energy and visceral punchiness.
Three reviews of new classical music CDs: one is inviting, another lively, and the last could use more intensity.
Snappy new recordings of the music of Milton Babbitt and George Antheil from the Boston Modern Orchestra Project while cellist Christ Wild’s disc offers a fascinating journey through some richly diverse musical soundscapes.
For at least the last decade, the LAPO has set the bar in creative programming, commissioning new works, and integrating itself into its community.
If “Salome” was a harbinger for what’s to come, we may be on the cusp of a golden era, indeed.
Classical Music Commentary: Boston Symphony Orchestra Season 2014-15 — A Jolt of Energy and Stability
Most of the programs during BSO conductor Andris Nelsons’ ten subscription weeks look fresh and, if not outright adventurous, on paper they at least look more exciting than not.
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