Arts Fuse Editor
David Rooney’s thesis in About Time is provocatively ironic: clocks, through their ever-increasing precision and regularity, are the instruments of constant change.
With Tantura, brimming with evidence that will now be hard to suppress, director Alon Schwarz may have won an important battle in the war of conflicting narratives about Israel’s war of independence.
As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
My second Sundance dispatch deals with abortion, torture and cannibalism: what a scintillating combination for a bitterly cold weekend!
CD recordings keep bringing us unexpected treasures, including chamber works by Samuel Coleridge-Taylor and Samuel Adler, and the (by turns) exquisite and powerful opera Armida by Mozart’s contemporary — who was not his murderer — Antonio Salieri.
Can somebody tell me, tell me please, why there’s suddenly such a profusion, a torrent… almost a glut, of significant art history books entering the marketplace right about now?
This album is a remarkably mature effort. The Weeknd reflects on his long career while expanding on his earlier accomplishments.
The first three films I saw at the Sundance Film Festival were very high-profile premieres.
The primary interest of Reframed isn’t film history; it is revisionist social statement, and a new twist on the celebrity documentary: star bio-cum-feminist essay.
As We See It is a humorous as well as heart-wrenching look at the realities of living with autism.
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