Arts Fuse Editor
This revival of 1776 tries to strike a culture wars balance, celebrating the country’s commitment to independence while also here and there skewering the idealized images and blatant hypocrisies of America’s patriarchal founders.
I am honestly puzzled by the casualness or, at times, ferocity with which some people nowadays reject classical music as inherently narrow or elitist.
The Currier Art Museum now owns and maintains two houses created by legendary American architect Frank Lloyd Wright.
As National Pride Month begins, The Inheritance is a powerful way to honor and remember the impossible journey so many have taken to win the right to simply be themselves in public.
The script is credited to five writers and, well, too many cooks spoil the bouillon.
So what if the American empire is doing more and more poorly? All that matters is hopping in alongside Tom Cruise for a super-duper roller-coaster ride inside an F-18.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Hellbender is not just a fabulous indie film about witches, it’s also an original coming-of-age horror movie.
Crescent gives us the first five songs of the I Am The Moon suite and runs about 35 minutes. Let me rephrase that: it runs about 35 perfect minutes of music.
As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person.
Arts Commentary: The Nelsons Case