Arts Fuse Editor

Theater Review: “The Thin Place” — Nowheresville

October 5, 2022
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An experimental drama, no matter how tantalizing, has to come up with a payoff that makes its bewildering journey worth it. Lucas Hnath’s doesn’t.

Jazz Album Review: “That’s What Happened, 1982-1985” — Miles Davis Makes up for Lost Time

October 4, 2022
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This three-disc set provides a fascinating look behind the curtain at one of the great bandleaders in jazz history putting together his groups, seeing what they can do from multiple angles, and building a new musical concept from scratch.

October Short Fuses – Materia Critica

October 4, 2022
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

Film Review: “Bros” — A Thoroughly Mainstream Gay Rom-Com

October 4, 2022
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Bros jokes about the hypocrisies of corporate diversity — often accurately, and with a cutting edge — while embodying some of the same problems.

Concert Review: Bobby Weir and the Wolf Brothers — Transforming the Legacy of the Grateful Dead

October 3, 2022
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As far as tour openers go, the concert on Friday presented no signs of a band holding back or slow to gain speed.

Film Review: Claire Denis’s “Stars At Noon” — A Romance Novel Elevated by Auteurist Flourishes

October 2, 2022
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The action, as it were, is mostly the exhaustively filmed grappling of two beautiful people in no-star motels.

Book Review: “Two Nurses, Smoking” — A Skillful Take on the Times

October 2, 2022
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Many of the short stories in Two Nurses, Smoking are genuinely accomplished, and worth investigating.

Theater Review: “Ada and the Engine” — A Free-Spirited Young Female Math Wiz in Victorian England

October 1, 2022
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You don’t have to be a math wiz to enjoy Lauren Gunderson’s engaging historical drama, which has been effectively staged by director Debra Wise.

Film Review: “My Best Friend’s Exorcism” — Wasted Bandwidth

September 30, 2022
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There’s no real engagement with the ’80s, so this attempt at horror/comedy is politically and emotionally inert, profoundly unfunny and pathetically un-scary.

Book Review: “Shmutz: A Novel” — Hasidim in Heat

September 29, 2022
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A young Hasidic woman addicted to Internet porn? Oy vey, who knew?

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