Arts Fuse Editor
An experimental drama, no matter how tantalizing, has to come up with a payoff that makes its bewildering journey worth it. Lucas Hnath’s doesn’t.
This three-disc set provides a fascinating look behind the curtain at one of the great bandleaders in jazz history putting together his groups, seeing what they can do from multiple angles, and building a new musical concept from scratch.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Bros jokes about the hypocrisies of corporate diversity — often accurately, and with a cutting edge — while embodying some of the same problems.
As far as tour openers go, the concert on Friday presented no signs of a band holding back or slow to gain speed.
The action, as it were, is mostly the exhaustively filmed grappling of two beautiful people in no-star motels.
You don’t have to be a math wiz to enjoy Lauren Gunderson’s engaging historical drama, which has been effectively staged by director Debra Wise.
There’s no real engagement with the ’80s, so this attempt at horror/comedy is politically and emotionally inert, profoundly unfunny and pathetically un-scary.
A young Hasidic woman addicted to Internet porn? Oy vey, who knew?
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