Arts Fuse Editor

Jazz CD Review: “Meditations on Freedom” — Creative Politics

February 21, 2017
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On this album, saxophonist Noah Preminger serves up his visceral reaction to the post-election state of affairs.

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Music Interview/Review: Former Genesis Guitarist Steve Hackett Crosses Musical Borders

February 20, 2017
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“My ancestors fled pogroms in Poland and today we have a crisis to rival what went on in the 1940s.”

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Film Review: “Toni Erdmann” — Humor is Tedium’s Balm

February 18, 2017
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Toni Erdmann gently but somewhat darkly reminds us that living life in the fast lane means missing out on its slower, humbler pleasures.

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Music Interview: Session Americana and That Little Round Table

February 17, 2017
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Session Americana has matured from a local, informal collective to a polished touring band.

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Theater Review: A Very Winning “Beauty Queen of Leenane”

February 15, 2017
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The Druid Theatre Company staging shows what amazing things happens when a group of artists work together fully and completely .

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Coming Attractions: February 19 through 28 — What Will Light Your Fire

February 13, 2017
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Arts Fuse critics select the best in theater, film, music, author events, and dance for the coming weeks.

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Dance Review: Gallim Dance’s “WHALE” — Strictly Small Fry

February 13, 2017
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Nothing in this over-lengthy work refers to whales, the ocean, or even the fishing industry.

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Book Review: “The Mary Julia Paintings of Joan Brown” — In a Pantheon All its Own

February 9, 2017
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Poet William Benton’s slender and beautiful book can safely be described as sui generis.

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Film Review: “The Salesman” — The Limits of Empathy

February 9, 2017
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Director Asghar Farhadi’s most stringent judgments generally fall upon members of his own sophisticated, worldly cohort.

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Book Review: “The Feud” — Brilliant Literary Frenemies

February 8, 2017
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Alex Beam generates interest via his portrait of frenemies Edmund Wilson and Vladimir Nabokov as brainy but flawed human beings.

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