Arts Fuse Editor
Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
Eva Maze drops names and paints a heady picture of the high life, but she does so with the disarming charm that permeates most of her memoir.
A United Kingdom‘s astute reflections on racial and economic realpolitik makes this film far more than a love story.
One of my favorite quotes from Gil Evans is, “Quit playing what you think I want you to play!”
Penobscot Theatre Company is staging Monica Wood’s moving and thoughtful play about a real life labor dispute in Maine.
So much goes on over the course of Live From the Fox Oakland that the TTB upends the notion of a band “settling” into a sound.
Jason Anick, on violin and mandolin, and Jason Yeager, on piano, showed off just how exhilarating it can be to kick down musical walls.
Simplicity is its genius; some call “Roadrunner” the first punk song for a reason.
Silent Sky is a moving and thoughtful play; it is well worth the gaze of any serious theatergoer.
The Lure is often violent and disturbing, but its unapologetic strangeness make it one of the most memorable foreign films in recent years.
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