Arts Fuse Editor
Like a lot of first efforts by prospective masters, Artifact is loaded with ideas.
The MRT production marches clumsily along the fine line of being funny and knowing it is funny.
Mark Lilla argues that the creed of the reactionary mind can be just as radical (and disturbing) as any revolutionary ideology.
The performance turned out to be a nervy but hypnotic game of endurance for performer and audience members.
Don’t Give Up the Ship is well worth the time of audience members seeking exciting, unconventional theater.
On this album, saxophonist Noah Preminger serves up his visceral reaction to the post-election state of affairs.
“My ancestors fled pogroms in Poland and today we have a crisis to rival what went on in the 1940s.”
Toni Erdmann gently but somewhat darkly reminds us that living life in the fast lane means missing out on its slower, humbler pleasures.
Session Americana has matured from a local, informal collective to a polished touring band.
The Druid Theatre Company staging shows what amazing things happens when a group of artists work together fully and completely .
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