Arts Fuse Editor
I Called Him Morgan has been lauded as one of the best films of the year, and rightfully so.
Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.
Ettore Sottsass saw design as more than just an aesthetic achievement: it ideally served up an indelible experience.
Iliazd is more interested in working through all the possible reasons that generate behavior rather than grappling with issues of morality.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Naomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.
Landline is a textured, often funny and subtly acted portrait of a family experiencing rumblings set off by sexual affairs.
Chances to hear conjunto music in New England are rare; bravo to the Lowell Folk Festival and Rhode Island’s Rhythm and Roots.
I enjoyed the working-out of all this material, and the beautiful dancers, but I sometimes felt I was back in the consciousness-raising ’60s and ’70s.
Visual Arts Commentary: The Berkshire Museum Violates Ethics to Sell 40 Works for $50 Million
Why is The Berkshire Museum a sinking ship?
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