Arts Fuse Editor
With this production, Penobscot Producing Artistic Director Bari Newport has raised the artistic bar for Bangor’s premiere theater company.
We’re not in European art film territory here.
Jazz singer Mark Murphy was just too much for most audiences during that period; too intense, too varied, too unpredictable.
We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
Kelley Donovan believes every dancer should own her movement, not just perform it.
Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
WATCH CLOSELY: “The Exorcist” — The Devil and the Deep State
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
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