Arts Fuse Editor

Visual Arts Interview: “Modern Fossils” — Skeletal Glimpses of the Future?

August 8, 2017
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When I saw images of the sculptures made by Christopher Locke — a series entitled Modern Fossils — I was stunned

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Film Review: “I Called Him Morgan” — A Superb Jazz Documentary

August 8, 2017
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I Called Him Morgan has been lauded as one of the best films of the year, and rightfully so.

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Film Review: “Lost in Paris” — Earthy Yet Surreal Fantasy

August 6, 2017
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Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.

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Visual Arts Commentary: The Berkshire Museum Violates Ethics to Sell 40 Works for $50 Million

August 5, 2017
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Why is The Berkshire Museum a sinking ship?

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Visual Arts Review: The Design Language of Ettore Sottsass — at 100

August 5, 2017
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Ettore Sottsass saw design as more than just an aesthetic achievement: it ideally served up an indelible experience.

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Book Interview: Thomas Kitson on a Neglected Gem of Russian Modernism

August 3, 2017
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Iliazd is more interested in working through all the possible reasons that generate behavior rather than grappling with issues of morality.

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Coming Attractions: July 30 through August 15 — What Will Light Your Fire

July 30, 2017
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Book Review: “No Is Not Enough” — Damned by Branding

July 30, 2017
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Naomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.

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Film Review: “Landline” — A Compelling Comedy-With-Drama

July 28, 2017
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Landline is a textured, often funny and subtly acted portrait of a family experiencing rumblings set off by sexual affairs.

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Music Interview: The Americano Groovers — Los Texmaniacs Come to Rhode Island’s Rhythm and Roots

July 28, 2017
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Chances to hear conjunto music in New England are rare; bravo to the Lowell Folk Festival and Rhode Island’s Rhythm and Roots.

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