Arts Fuse Editor

Theater Review: HTC’s “Merrily We Roll Along” – Musical Redemption

October 5, 2017
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An outstanding production of a Stephen Sondheim musical that was initially thought to be a misfire.

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Rock Review: Here Come The Monks — Again

October 4, 2017
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The Monks were, and to some extent still are, the quintessential cult band.

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Theater Review: Wilbury Theatre’s Splendid “Caretaker”

October 3, 2017
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Wilbury Theatre proves that an arts organization can grow while pushing an experimental agenda.

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Music Review: Saxon and UFO — Still Howling After All These Years

October 2, 2017
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Saxon and UFO may not be ‘forever young,’ but their spirits have yet to grow old.

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Dance Review: Tanztheater Wuppertal Pina Bausch at BAM

October 2, 2017
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I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.

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Visual Arts Review: Dana Schutz — A Genius or a Hot Mess?

September 29, 2017
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Dana Schutz packs evocative and unexpected narratives into confined spaces, but not all of them fit as well as she thinks they do.

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Theater Review: “WARHOLCAPOTE” — Listening to Icons

September 27, 2017
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WARHOLCAPOTE is a breezy, 90 minute tribute to American pop and gossip.

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Dance Review: DanceUP’s Compound Fractions

September 27, 2017
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Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.

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Coming Attractions: September 24 through October 10 — What Will Light Your Fire

September 24, 2017
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Film Interview: Jeff Rapsis’ Code of Silents

September 22, 2017
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For the past decade, Jeff Rapsis has improvised live scores for silent films starring Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.

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