Arts Fuse Editor
With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
The critic settles too comfortably too often on a familiar trope — Ireland’s sense of promise squelched.
The release of previously unavailable recordings from Dexter Gordon and John Coltrane are causes for celebration. Two unforgettable voices in jazz — are back!
Big Deal differs from other Bob Fosse biographies in its focus on the dances themselves.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
You know a Cowboy Junkies tune the second that you hear it, but the songs don’t come off as formulaic or produced for mass consumption.
Fleabag is a clever, frenetic and coolly smart series, balancing humor with an increasingly dark intensity.
Berber guitarist Omara “Bombino” Moctar proved that the gifts behind the fingers are still all that matters.
Film Commentary: “The King” and The King
Eugene Jarecki’s ramshackle, occasionally provocative, and frequently entertaining documentary on Elvis Presley gets some things wrong.
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