Arts Fuse Editor
Thelma learns that she can’t escape who she is — but she can control what she does.
Read MoreUltimately, this production of Lost Girls might have gone deeper if it had been slowed down a bit.
Read MoreSpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
Read MoreTo the end of his life, David Bowie was excited about creating innovative sounds and collaborating with new musicians.
Read MoreDe Hamel’s history is a detective story, a love story, and a revelation of the nourishment to be found in celebrated libraries and collections.
Read MoreKNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Read MorePerformance has always included sex and physicality in its attractions. Koubi’s work tries to move the spectators to a higher level.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreHenry Rollins insists on defining himself strictly on his own terms.
Read MoreWhen an opportunity to celebrate USCO’s pioneering work came along, I just had to curate it.
Read More
Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio