Arts Fuse Editor
The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.
Does Shakespeare need a digital makeover to stay relevant and entertaining?
Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
Too many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
Cartagena is a 500-year old urban jewel in the Caribbean. But climate change and rising sea levels threaten its heritage.
Thomas Clerc’s novel reminds us of a stubborn truth: we are all narcissists that live to accumulate shit in rooms.
This smaller setting allowed for more casual ease and intimacy between the audience and the band.
Arts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
Arts Commentary: The Author of “The Jazz Bubble” Responds
“What is new since the ’70s is a much broader ideological shift in the business world itself, and the way in which it came to approach the jazz world as a result.”
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