Arts Fuse Editor
John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
The more we hear Jane Fonda’s homilies about needing to be “whole” and “self-actualize” the more her personal journey sounds more like a succession of carefully calculated branding exercises.
Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
“I like implication very much; there’s a fiction of implication that I think I’ve championed over the fiction of explication.”
British historian Adam Zamoyski has drawn a portrait of Napoleon that is neither flattering nor diminishing.
Kamasi Washington’s music connected viscerally with a Royale audience that was packed with young people — or at least way younger than those normally seen at a jazz concert.
Hype Man is a complex and challenging treatment of race relations in the U.S.– indispensable viewing in these days of Trump.
In this album, saxophonist Ethan Helm has achieved a very personal balance between highly composed sections and solos rooted in harmony and free playing.
Journalist Ian Nathan presents Peter Jackson’s trials in bringing Tolkien’s books to film as if he was writing a spy thriller.
This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
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