Arts Fuse Editor
The show tells a story of women through portraits that span a little more than two hundred years.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
William Goldman was known as a consummate Hollywood insider who nevertheless maintained a reputation as a literary-minded purveyor of exceptional cinema.
Christopher Hollyday’s Telepathy is a keeper, Chris Pasin’s Ornettiquette is an excellent outing, Jake Ehrenreich’s A Treasury of Jewish Christmas Songs is uneven, and for some long winter nights Abigail Rockwell’s Autumn Noir might be just the ticket.
John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
The more we hear Jane Fonda’s homilies about needing to be “whole” and “self-actualize” the more her personal journey sounds more like a succession of carefully calculated branding exercises.
Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
“I like implication very much; there’s a fiction of implication that I think I’ve championed over the fiction of explication.”
British historian Adam Zamoyski has drawn a portrait of Napoleon that is neither flattering nor diminishing.
Kamasi Washington’s music connected viscerally with a Royale audience that was packed with young people — or at least way younger than those normally seen at a jazz concert.
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