Arts Fuse Editor
Reading The Sweetest Fruits is like looking at the back of an oriental rug in which the pattern is rather more indistinct than the front but the colors much richer and more vivid.
Emily Remler took a particularly clear-eyed view of her work. She didn’t want to be judged by a lesser standard because she was a woman in the overwhelmingly male world of jazz.
This clever Japanese zombie film is a spirited attempt to blow up and reinvigorate the genre.
One of Saint-Saëns’s most important operas, Proserpine, has recently been given its world-premiere recording, and the result is a revelation.
As a River is a sensuously and smoothly written book, a heartfelt meditation on what divides us from each other and from love.
With The Purists, Dan McCabe has written a comic drama that not only has a lot to say, but does it with an enormous amount of playful vim and vigor.
Linda Ronstadt was every young female singer’s aspirational goddess: if you could nail “You’re No Good” or “Blue Bayou” in the car or the shower, you had practiced a lot.
Any traditional notions of what does, or does not, constitute a book are challenged here — you will find yourself searching for a definition that fits.
Nell Zink’s latest novel is vast, aspiring to epic stature — it’s a curious take on the times that have befallen us.
Visual Arts Commentary: Public Art — Much More than Murals
Thankfully, public art has become much more than murals for blank wall spaces.
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