Arts Fuse Editor
For anyone interested in the man or that era, De Gaulle is indispensable.
Johnny Hodges was originally a Cambridge/Boston guy, and one of the most interesting sections of Con Chapman biography is his knowledgeable description of the local jazz scene in the 1910’s and ’20s.
Fear Inoculum is not a bad album. It’s not a great album either, and Tool has made some great albums.
The powerful quartets on The People I Love and Terra Incognita work toward locating places beyond notation where, in each moment, new vistas may emerge.
The last half-hour or so of any Mavericks concert is usually just about the happiest place to be on the planet.
A Screenager Star is Born?
Colson Whitehead’s work is political in the sense that he has an incredibly keen eye for the insidious ways in which institutions and structures of power work.
Robert Macfarlane’s ability to limn the pull between beauty and cataclysm provides a dynamism that elevates this book well above the level of simple “nature” writing.
Nothing in this session reminds us of the age of the principals. That in itself, if not miraculous, is at least impressive.
Visual Arts Review: Frank Lloyd Wright’s Fallingwater — Brilliance Beyond Myth
20th Century Modern Architectural Greatness
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