Arts Fuse Editor
There’s no doubt that the Japan-born composer/pianist/bandleader Satoro Fujii is one of the most prolific recording artists of her time.
Watershed is an unadorned but stunning addition to the offerings at the deCordoba Sculpture Park and Museum.
Marianne is one of the slickest horror series I’ve seen on Netflix.
Frolic and Detour contains a few poems that I judge to be instant classics of English-language poetry.
Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
Arts Fuse contributor Glenn Rifkin chats about his time with the magazine and his latest book, “Future Forward.”
Biographer James Kaplan was aided by the assistance of Irving Berlin’s two elder daughters, and that makes this biography particularly valuable.
At a time when Kenneth Branagh busies himself clogging up multiplexes with bombastic Agatha Christie all-star remakes, director/writer Rian Johnson revels in subversion of the genre.
But really, what is a Bob Dylan concert these days if not a case study in transformation?
The Henry Purcell Society proves that playing mad can be a lot of fun.
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