Arts Fuse Editor
Re-envisioning and performing this beloved classic ballet with dancers that identify as disabled seems to me to be the definition of courageous.
Vivaldi put this opera together using, in part, arias associated with two famous singers: the “Moorish” (i.e., half-African) Vittorio Tesi and the castrato Farinelli.
This is a volume filled with complex pleasures and pains, assembled with purpose.
For those with sufficient patience and imagination — and are eager to learn more about the Chinese literary scene than what’s found in journalistic headlines — Jia Zhangke’s documentary will be an uncommon treat.
For local music enthusiasts of all stripes, the hometown label was a point of pride; for musicians and fans the world over, Rounder was the go-to source for music you couldn’t readily find elsewhere.
Christine Smallwood’s courage in looking at the way things are — for many of us — makes this novel about the pervasiveness of angst a subtle, empathetic accomplishment.
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Spiral is content to be a satisfying thriller that mechanically delivers as its murderous pace picks up.
It is sad Monster is such a botched effort, given that this is an important and timely story.
There’s a powerful sense of place built into Last Night in Rozzie: the direction and acting evoke the feeling that inevitably comes when we return to our childhood neighborhood.
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