Arts Fuse Editor
Undine is a film best savored (and best absorbed) with a second viewing. Viewers must be open to its charms, perhaps allowing memories of the primal to seep into their consciousness.
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
There are stunning scenes full of energy and visual beauty, but Halston left me feeling somewhat cold.
“We can, of course, be deceived in many ways. We can be deceived by believing what is untrue, but we certainly are also deceived by not believing what is true.” — Søren Kierkegaard
Accessible to the art-loving novice, Blake Gopnik’s Warhol suggests that his subject’s marketing genius doesn’t have a time limit.
This fine documentary of a highly respected elder bassist presents a clear, focused picture of a man who is also a jazz musician.
As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues if the event is available by streaming or is in person. More offerings will be added as they come in.
The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
THE ARTS FUSE TURNS 14! — Our Spring Appeal
Please help us bring the arts and culture community roaring back to life by supporting the magazine and its independent coverage.
Read More about THE ARTS FUSE TURNS 14! — Our Spring Appeal