Arts Fuse Editor
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Series creator Molly Smith Metzler clearly cares about the subject matter and is determined to tell a nuanced story about the hellish plight of the victims of domestic abuse.
Let’s see if Prayers for the Stolen is selected as Mexico’s Academy Award nominee. It’s a long shot, given that this is a film that tells so much of the truth.
Unfortunately, it’s becoming increasingly rare for Boston area theater companies to produce shows that are as deeply rooted in our local culture as this one.
Told with just the right amount of empathy, Five Years North offers an illuminating, and much needed, look at immigration in America.
By skillfully balancing the historical and the imaginative, The Mirror and the Palette is not only a delight to read, but inspirational.
As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Audiences who are open to a show that provides both riotous comedy and bracing truths will find plenty to think about in this deconstruction of one of the Bard’s most problematic problem plays.
No Time to Die could only be a product of the Trump era.
Arts Remembrance: Arnie Reisman — The Party of the First Part
In a way, Arnie was, to Boston, what George S. Kaufman was to the Algonquin Round Table, except the “vicious circle” lasted only ten years while Arnie enlivened his circle of friends for more than sixty.
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