Arts Fuse Editor
Wild Horses is a sort of hybrid of familiar coming-of-age stories: Little Women meets Summer of ’42, with a dollop of Stand By Me tossed in for intrigue.
The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.
A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.
Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
Translator Nandana Dev Sen has opened a window for us to savor Bengali women’s poetry through these lovingly translated poems of her mother.
Against White Feminism is an informative and thought-provoking read for all feminists.
Docs at the Toronto International Film Festival ranged from the topical to the historical to the cultural. Here are a few that you should try to see.
This session should appeal most to those who love the crashing, intemperate sound of a brass big band.
This is an amazing follow-up to Billy Strings’s Grammy-winning Home album.
Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones
These cheesy board games were repetitive and horrible and I loved every one of them.
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