Arts Fuse Editor
The range of Kurt Elling’s repertoire is astonishing and his program at Jimmy’s was commensurately ambitious.
This anthology, for all its occasional sadness, is optimistic about the future of immigration to America.
The selection of foreign films on offer at the BFI London Film Festival was of a very high quality.
No woman, I’m willing to bet, could have filmed the sex scenes in Red Rocket. She would have cracked up laughing or thrown up.
More homages to 1971’s magnificent bursts of cinematic iconoclasm, from McCabe & Mrs. Miller to The Music Lovers and Walkabout.
Fans will be pleased that time around director Wes Anderson has shot off everything in his stylistic quiver.
Jacques Cousteau’s journey, from wannabe pilot to protector of the seas, is chronicled in a new documentary.
Syfy’s latest iteration of the killer doll remains as campy and violent as ever.
The Sum of Us shows how the economic and political powers-that-be have exploited race to split Americans into warring tribes trapped in a zero-sum game fighting for what’s left after the top 1% take 40% of the wealth.
Even if this is a commercial confection, it’s worth taking seriously because it is very likely to be Tony Bennett’s final album.
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