Arts Fuse Editor
As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
With my customary determination and pluck, I’ve been able to get access to plenty of films at the London Film Fest that cover a broad spectrum of genres, budgets, and nations.
Guitarist Mary Halvorson and pianist Sylvie Courvoisier share a remarkable rapport on this duet album.
Reviews of Todd Haynes’s documentary The Velvet Underground, Bruno Dumont’s France, a satire-drama about the news industry, and Nature, Artavazd Peleshian’s graceful parade of natural disasters.
Jim Marshall fought off all sorts of personal demons while also managing to be in the right place at the right time to get some iconic music photos.
The quilts serve as landmarks whose significance is evolving with shifting times and demographics. Where have we come from, they ask. Where are we going? The answers are no longer what they were.
Two divergent works of theater for the screen were at this year’s NYFF, an adaptation of Macbeth in black and white, and a raunchy sleeper from Romania.
On many levels, Hold Me Down is terrific. Its power lies in the vitality of Clea Simon’s prose and her insider savvy.
Pedro Almodovar’s latest, Parallel Mothers, sets up a dialectic between women’s regenerative powers and the blood-soaked history of pre-WWII Spain.
Writer Jacqueline Gay Walley has become adept at probing the unpredictable interaction of self and others, transformations that imprison as well as liberate.
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