Debra Cash
An evening of risk that explores the edges of physical and emotional risk in dances scored to everything from Kurt Weill to a kitchen table conversation.
Reveries, the ice ballet that audiences will get to see in a special benefit performance this weekend, is Edward Villella’s translation of balletic structures and forms into contemporary figure skating technique.
Mother Nature likes pianos.
Hunger is hunger but each hungry person experiences it in his or her own way. That insight is at the heart of the remarkable, socially engaged toy theater production Who’s Hungry.
Moving Target has announced a series of Saturday afternoon workshops featuring a remarkable series of guest teachers at Cambridge’s Green Street Studios.
Fuse Dance Critic Debra Cash on what’s coming up in dance this week.
Yoko Ono has always been the kind of artist more interested in getting into your head than convincing you to occupy hers.
In four jam-packed rooms, in paper, acetate, and select video sequences, Snow White and The Seven Dwarfs: The Creation of a Classic deconstructs the film’s artistic and technical achievement.
This is Michelle Dorrance’s break out year, or perhaps more accurately the year people outside the intimate tap community got to know her by sight and reputation.
On Friday, three experimental artists offer a sneak peek at their work together to date, with the addition to excepts from more finished pieces.
Arts Remembrance: Sonny Rollins, Jazz’s ‘Saxophone Colossus,’ Dies at 95