Debra Cash
The Boston dance community is reeling.
An incisive exhibition traces how Rembrandt, his Dutch contemporaries, and earlier artists remade a biblical story of concealment, power, and survival.
“Jazzed” makes a persuasive case for Jack Cole’s artistic importance, even as its overly admiring portrait evades some of his darkest behavior.
There is no question that this new volume will be the resource that all subsequent historians will turn to when they explore the trajectory of classical ballet’s slow — and not yet completed — choreography towards racial inclusion.
Animated calligraphy, dancers in half-shadow, and two industrial robots create an eerie, elegant theater of marks, motions, and metallic afterimages at Jacob’s Pillow.
At Jacob’s Pillow, Brinae Ali’s “Baby Laurence Legacy Project” reanimates a jazz tap master’s bebop musical brilliance through choreography, live music, and technology.
In “Thrikra: Night of Remembering,” Akram Khan’s searing imagery of female ritual and sacrifice is shadowed by what the work chooses not to confront.
A sensor-driven dance work probes embodiment, data, and the limits of technological intimacy.
Essayist and memoirist Isaac Fitzgerald follows Johnny Appleseed into a landscape shaped as much by omission and privilege as by history.
Lam Dance Works pairs visiting virtuosity with emerging dancers, revealing both the promise and growing pains of a young Boston troupe.
Book Appreciation: “Gulliver’s Travels” at 300 — Small Men, Tech Bro Delusions