The Celebrity Series of Boston gathered a distinguished multi-generational panel to consider both the legacy of Alvin Ailey and of Elma Lewis.
For a reader without the reference points of mid-twentieth century Lithuania and Poland, this deeply researched biography can be a slog.
The heart of this theatrical reboot is what it means to go for broke and bet on love, or art, or both.
Former Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
What happens when someone performs at the highest possible level of an art form and then has to give it up?
George Fifield has been pushing the conceptual ball called contemporary digital and intermedia art up a hill for decades.
Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
Monica Bill Barnes’s choreographic method can be characterized as make ’em laugh, then make ’em think.