Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
What happens when someone performs at the highest possible level of an art form and then has to give it up?
George Fifield has been pushing the conceptual ball called contemporary digital and intermedia art up a hill for decades.
Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
Monica Bill Barnes’s choreographic method can be characterized as make ’em laugh, then make ’em think.
Truth is, the fraying of the middle class is not just something that has happened to creatives.
Stave off boredom. This is going to be a smoking festival.
The exploitation of the free labor of artists may finally have hit a critical mass in 2014, generating enough publicity to make observers righteously angry.
This week, The New England Foundation for the Arts (NEFA) announced that Cathy Edwards will become NEFA’s new Executive Director.