The exploitation of the free labor of artists may finally have hit a critical mass in 2014, generating enough publicity to make observers righteously angry.
This week, The New England Foundation for the Arts (NEFA) announced that Cathy Edwards will become NEFA’s new Executive Director.
You’d be a fool to miss taking advantage of Boston’s Mayor’s Holiday.
If you know Swan Lake, there will be few structural surprises. Girl turned into swan, prince falls in love, prince gets fooled, they both feel really terrible, and die.
Isango’s Magic Flute/ Impempe Yomlingo is lit by flashes of brilliance. Most can be traced directly to Mandisi Dyantyis’ reorchestration of Mozart’s orchestral score for an ensemble of marimbas.
Here’s a modest proposal. Let’s invent a Boston arts tasting menu.
One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.
After a 35+ year run, writers for the paper learned today that the Providence Phoenix will be shutting its doors after next week’s issue.
Fiber takes on two key aesthetic ideas — gravity and the grid — and one major sociological one, the way fiber arts were created and exhibited as part of a larger feminist agenda.
To my mind, with Assembly of the Souls, composer Eitan Steinberg is working in Pulitzer contention territory.