Debra Cash
It’s official. The 2013 jobs report of an organization called CareerCast rated “newspaper reporter” as the worst job in America.
Maria Tallchief forever changed the idea of what it meant to see America dancing.
In her recent program at the Boston University Dance Theatre, Corbett riffed on the eerie, 1967 Diane Arbus photograph of identical twin girls in Roselle, New Jersey.
You have to appreciate a guy who expressed his concern for both the drought on the Texas plains and the local arts community’s drought in terms of cancelled jazz programming on WGBH and the closing of the BOSTON PHOENIX.
This week the Cunningham Dance Foundation released The Legacy Plan, a series of steps to document and preserve Merce Cunningham’s choreographies.
Emily Johnson may be off the mainstream cultural radar, but I guarantee that is going to change, big time.
Composer James MacMillan’s musical strategy in this opera is a stylistic patchwork that seems to mean to convey that each character inhabits a different, mutually misunderstood world.
I can’t understand why people are frightened of new ideas. I’m frightened of the old ones. — John Cage to Richard Kostelanetz, 1988
What kind of culture is produced by a society that lives and governs itself by opinion polls?
At first glance, Oz and Oz-Salzberger’s “Jews and Words” seems to be an unexceptional if elegantly written and occasionally witty contribution to the Jewish bookshelf.
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