Bill Marx

Book Review: In Alberto Moravia’s Creative Laboratory — “Two Friends”

September 13, 2011
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The brilliance of Alberto Moravia’s cool diagnostic vision — sleek, clear, cruel, and existential no matter how emotional the conflict — puts us off. His male protagonists often self-consciously analyze their puerility to the point of comic masochism.

Book Review: An Invaluable Testament to When Movies and Criticism Mattered

September 8, 2011
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What drives serious writing about film? “When Movies Mattered” suggests an answer: it helps for a critic to take a side, not as consumer advocate, hipster crank, or box office predictor, but as a passionate advocate for standards, often taking on the role of separating overpraised films from the unfairly neglected.

Theater Review: A “Porgy and Bess” Made For Broadway

September 3, 2011
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The American Repertory Theater’s juggling/removal of the operatic elements in “Porgy and Bess” is clumsy, but the goal is to create a compelling entertainment for contemporary audiences, smoothing out the melodramatic story’s edges and cutting its length.

Coming Attractions in Theater: September 2011

August 31, 2011
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Every September proffers an explosion of productions; as usual, my eclectic picks, driven by my prejudice for the new. There are few world premieres among the openers this season, aside from the Provincetown Tennessee Williams Theater Festival’s “Once in a Lifetime” and Arts Emerson’s presentation of The Foundry Theatre’s “How Much is Enough.”

Theater Interview: 9/11, Live Drama, and the Courage to Look God in the Eye

August 28, 2011
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9/11 has inspired a number of movies and TV documentaries, but theater works about the event are rare. What are dramatists and theater companies afraid of?

Film Feature: Nathan the Wise — A Silent Film for Humanity

August 24, 2011
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Thought to be lost, the only existing print of NATHAN THE WISE was discovered in Moscow in 1996. The Coolidge Corner Theater is screening a tinted and beautifully restored version of the film, with an original score by Aaron Trant performed live by the After Quartet.

Fuse/Public Humanist Commentary — Spreading a Desire for the Good Things in Life

August 17, 2011
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I have written another commentary for the Mass Humanities blog, The Public Humanist. It is a reaction, admiring but skeptical, to John Armstrong’s recent polemic IN SEARCH OF CIVILIZATION: REMAKING A TARNISHED IDEA.

Theater Commentary: Happy 400th Birthday to Ben Jonson’s “Catiline: His Conspiracy”

August 10, 2011
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Multiple Google searches suggest that no one is celebrating the 400th anniversary of the second of Ben Jonson’s tragedies. I don’t think I will live to see a production of CATILINE, but attention should be paid to this awkward but powerful script. Filled with moral strength, perceptive realpolitik, and rich poetry, it proffers a brilliant serio-comic meditation on political gangsterism.

Theater Review: Flat Earth Theatre Bugs Out

July 30, 2011
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In BUG, a deranged veteran fights for his “freedom” against phantoms in a hermetically sealed echo chamber that he is willing to blow up for the good of mankind. As The Tea Party would have it: Either change the government or shut it down.

Coming Attractions in Theater: August 2011

July 29, 2011
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A busy month of theater, especially for off-speed, postmodern romances, while old-timers such as the Gershwins and Tennessee Williams receive some attention as well.

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