Bill Marx
In BUG, a deranged veteran fights for his “freedom” against phantoms in a hermetically sealed echo chamber that he is willing to blow up for the good of mankind. As The Tea Party would have it: Either change the government or shut it down.
A busy month of theater, especially for off-speed, postmodern romances, while old-timers such as the Gershwins and Tennessee Williams receive some attention as well.
An opportunity, via two workshops, to work with ArtsFuse Poetry Critic Daniel Bosch on making poems.
In the perceptive hands of director Joann Green Breuer, the combination of scripts (stretching from the 1940’s to the 1970’s) proffers a compelling meditation on Tennessee Williams’ exploration of women and desire, as well as some surprising spins on his classic plays.
Dramatist Jason Grote spins a postmodern, political variation on Scheherazade in his play 1001, and while it skimps on the imaginative playfulness of other versions, its time-tripping allusiveness has a scruffy intellectual charm.
In his book Amusing Ourselves to Death, Neil Postman argues that American culture is becoming dumber and dumber—plays like Matt & Ben suggest that we have entered the afterlife. Matt & Ben by Mindy Kaling and Brenda Withers. Directed by M. Bevin O’Gara. At the Central Square Theater, 450 Mass. Ave., Cambridge, MA, through August…
Two inviting collections of short short stories in translation — Catalan writer Quim Monzó sees fiction as an exhilarating if ingenious prison, Israeli writer Alex Epstein pens dreamy micro-yarns that free the imagination.
The likable Commonwealth Shakespeare Company staging leans very heavily on the comedy in ALL’S WELL THAT ENDS WELL, minimizing the Bard’s melancholic undertow.
The wily Enrique Vila-Matas remains wary but respectful of Ernest Hemingway and asserts his independence by going on his own self-consciously vaudevillian way—Juan Gabriel Vásquez is too subservient to elude the shadow of Joseph Conrad.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters