Bill Marx
Timon is a fascinating, if lumpy and bumpy, black comedy with a nihilistic sting, a lacerating parable about how the worship of gold warps individuals and society.
Read MoreThe Shadow Whose Prey the Hunter Becomes suggests some marvelous possibilities.
Read MoreOctavio Solis’ Quixote Nuevo, is a genial, and very American, riff on Don Quixote.
Read MoreThose who value serious journalism (as well as the rights of journalists) should be quite worried about just how lethally Boston Globe management is attempting to undercut the newspaper’s union.
Read MoreTRIPTYCH (Eyes of One on Another) serves up a cool emotional package.
Read MoreAt its best, Lauren Yee’s vibrant play with music offers a compelling exploration of survivor guilt, the urge for revenge, the deforming power of the past, and the impossibility of finding justice for crimes against humanity.
Read MoreEvaluated as an empathy workout, Trayf never asks us to break a sweat.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreMuch ado about nihilism.
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Critical Commentary: A Few Thoughts about John Simon
Few critics proclaimed that the emperor was naked as a jaybird with as much savvy panache.
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