Diane Williams’s brusque vision of a perverse life force mesmerizes.
Leonard Cohen reinforces this dedication to lyricism with striking humility in his final book.
This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’
Producers are tapping into a specific demographic: predominantly white audiences that are flush and who crave the thrill of hearing – and seeing – their favorite tunes performed live.
This is an opportunity to take in the early stirrings of Tennessee Williams’ talent as a playwright.
Given what Olga Tokarczuk is curious about, it is not surprising that her book serves up its share of goofy humor.
The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
There are 170 recipes in King Solomon’s Table . Joan Nathan, a sort of culinary archeologist, tracks down the details of their origins to Biblical times.
A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.