Robert Israel
“We ask them to interpret the music through their own experiences, so they are connecting to and performing what Mr. Ailey called ‘blood memories’ on stage.”
Read More“Auschwitz: Not Long Ago. Not Far Away.” is compelling, but its message feels hermetically sealed — the exhibit needs to draw crucial connections with what is going on now.
Read MoreIn terms of the joy that theater can provide, this Speakeasy Stage production sets the bar high.
Read MoreDramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
Read MoreThe “new” version of the Blue Man Group is all mayhem, all the time.
Read More“Prayer for the French Republic” is of interest because it raises significant questions about faith during a hate-filled time.
Read MoreAharon Appelfeld’s final novel is haunting meditation on how to deal with past hostilities that are all too present.
Read MorePatti Hartigan’s biography is a workmanlike portrait of dramatist August Wilson that never delves deep enough into his poetic soul.
Read MoreThe Lehman Trilogy is epic in its proportion and ambitions, so it is ironic that it sacrifices opportunities to probe troubling topics.
Read MoreSet designer Sara Brown creates theater wizardry through the assistance of digital tools, not a magic wand.
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