William-Shakespeare
Willing Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.
Despite this, he is vexed by how the play draws out the anti-Semitism of English audiences
The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.
This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
Dan Hodge turns two hundred and fifty stanzas of Shakespeare’s rhyme royal into the stuff of a high-class poetry slam.
The Winter’s Tale‘s odd structure and hybrid genre is a challenge to modern directors and audiences alike.
A lazy night of Shakespearean mayhem in New York’s Riverside Park.
Rarely are Boston’s stages graced with a Shakespeare production that reaches this high a level of accomplishment.
Arts Commentary: The Orchestra Gap — Europe vs. the US