William-Shakespeare
Singer Caroll Vanwelden’s “Shakespeare Revisited” brings a flexible voice and adventurous textures to the sonnets, but its melodies and production too often overwhelm the poetry.
Commonwealth Shakespeare Company celebrates its milestone season by revisiting A Midsummer Night’s Dream, reaffirming its mission to make Shakespeare a truly public art.
I’m thinking that a one-person performance of “Hamlet” by a Brit transwoman might get under Trump’s necrotic skin.
Host Elizabeth Howard talks to South African Shakespeare scholar Chris Thurman about how the Bard is regarded, discussed, and performed in a postcolonial, post-apartheid country.
Reviews of three shows seen during a trip to Ireland and England — Shakespeare at London’s Globe and “Dublin Oldschool” and “Riverdance” in Dublin.
In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
Every few years a smart teen rom-com comes along that deftly puts a modern, and pleasingly iconoclastic, spin on a classic piece of literature.
Two divergent works of theater for the screen were at this year’s NYFF, an adaptation of Macbeth in black and white, and a raunchy sleeper from Romania.
Shakespearean’s version of the Bard comes off as somewhat Monty Pythonesque — we are usually marching along with “Men Men Men.”
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