Tim Barry

Fuse Commentary: The Value of Browsing and Discovering That the “Shit Must Stop”

April 24, 2015
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Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.

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Book Review: Three New Novels Explore the Power of Trauma

March 31, 2015
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A trio of new novels suggest that bad as it gets may not be as bad as it can get.

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Visual Arts Interview: “The Way We Live Now” — Blending Modernist Architecture and Contemporary Art

March 18, 2015
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“Working on The Way We Live Now was a natural process of learning about modernist architecture and the dominating visions of figures such as Le Corbusier, Mies, and Adolf Loos.”

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Book Review: The Life of Lou Reed — Those With No Moral Compass Beware

March 12, 2015
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We learn, over and over, that the author of the song “Vicious” dispensed his legendary acts of cruelty with sadistic aplomb.

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Fuse Book Review: “Bomb’s Author Interviews” — Hipper Than Thou

February 8, 2015
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Bomb Magazine’s goal is not merely to comment on the arts, it is about making art.

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Visual Arts Review: The Young Have Come Down With “Warhol Mania”

November 29, 2014
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In 1957, Women’s Wear Daily called Andy Warhol “the Leonardo da Vinci of the shoe trade.”

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Fuse Visual Arts Review: The Savage Cartoonistas at RISD — What A Nerve!

November 16, 2014
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What Nerve! takes an innovative and fresh take on a little-noticed but piquant tributary of American art.

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Visual Arts: Simon Fujiwara at Harvard’s Carpenter Center — A Canny, Wildly Funny Lens on Modern Ideas

November 2, 2014
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Simon Fujiwara epitomizes the new model of a successful avant-garde artist in the world today.

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Visual Arts Review: “Figures of Empire” — When Racism and Art Meet

October 9, 2014
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Some fifty-five objects trace a legacy of casual brutality and white hegemony that is at the heart of Yale University’s—and this nation’s—founding.

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Visual Arts Review: A Man of His Time — Cuban Modern Master Wifredo Lam

September 28, 2014
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Though acknowledged as one of the half-dozen or so key figures in Latin American modern art, Wilfredo Lam’s status in the modernist canon is unclear.

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