BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.
A trio of new novels suggest that bad as it gets may not be as bad as it can get.
“Working on The Way We Live Now was a natural process of learning about modernist architecture and the dominating visions of figures such as Le Corbusier, Mies, and Adolf Loos.”
We learn, over and over, that the author of the song “Vicious” dispensed his legendary acts of cruelty with sadistic aplomb.
Bomb Magazine’s goal is not merely to comment on the arts, it is about making art.
In 1957, Women’s Wear Daily called Andy Warhol “the Leonardo da Vinci of the shoe trade.”
What Nerve! takes an innovative and fresh take on a little-noticed but piquant tributary of American art.
Simon Fujiwara epitomizes the new model of a successful avant-garde artist in the world today.
Some fifty-five objects trace a legacy of casual brutality and white hegemony that is at the heart of Yale University’s—and this nation’s—founding.
Though acknowledged as one of the half-dozen or so key figures in Latin American modern art, Wilfredo Lam’s status in the modernist canon is unclear.
Fuse Commentary: The Value of Browsing and Discovering That the “Shit Must Stop”
Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.
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