Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
SpeakEasy Stage Company
The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
Despite my complaints, Allegiance is affecting – almost frustratingly so.
Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.
SpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
We are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
Men on Boats is a sometimes rollicking, at other times tedious, one-act play.
The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.
Grand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.